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Monday, November 20, 2006

Tips on Home Recording

To Record or Not To Record - At Home, That Is
by Seth Lutnick
I will be honest. I am addicted to music recording. I love moving faders, adjusting levels, panning, reverberating, sequencing, you name it. I especially love all that software, and the colorful ways that they show the music as a waveform. It is just cool.
And I'm not the only one. My cousin has just become hooked as well, and all around the globe many many songwriters are falling prey to the "Call of the Cubase." After all, what once upon a time could break the bank, is now easily accessible on our desktops. Every songwriter can record his songs for a pittance. So is this a good thing? And should we all be doing it?
On the surface, it's a no-brainer. Well, why not record? It stimulates creativity. It liberates more music from the brains of its creators. It puts more pleasure into the world. And yet, there is a downside or two to consider when you plan to record your stuff, at least at home.
Natural selection was Darwin's theory, and it applies equally to music as well. I'll be honest, I'm not the greatest songwriter. I tend to write stuff that is too long, overly cliched, and requiring the vocal range of Luciano Pavarotti mixed with Paul Robeson. Every so often, though, almost despite my best efforts, I'll crank out a beaut. When that happens, it deserves immediate posteritizing (recording for posterity), but, alas, there is a long line of "I-really-shouldn't-record-this-but-why-not-it's-cheap-to-do-it" material in front of it. Each of those will take a good week of work to arrange, record, overdub, mix, master, remix, remaster and burn. Add to that two days of regret after I've listened to the atrocious thing, you have 9 days. If I had to pay for a studio, I'd only have gone with the winner, and thos eother songs would have thankfully remained mere twinkles in my eye.
That's the first thing to consider. It's not for the betterment of the world to record everything just because you can. With the advent of the home studio, the natural selection process disappeared, and people don't have the same pressure to let their material grow, become refined, and be sure that they are going for the gold before they start laying down tracks. Always ask yourself if you can do better before you start. Don't let the technology cripple creativity with its instant allure.
Now let's say you really have an ace song on your hands. No reason not to record this, you're saying, and you're right. But. Is doing it at home the way to go? The answer is a resounding ... depends. Depends on what gear you have, sure. But even more, it depends on what you are capable of doing with that gear. If the ease with which one can record at home has limited creative quality, it may do the same to sonic quality when the creativity has been truly remarkable. I love those gadgets, but I will admit that I can never seem to get the sound I hear in my head when I write those songs. If I were properly trained, I'm sure I'd have a different take, but I'm not, and how many of us are?
So my compromise has been to have all the fun in the world with the songs I'm not staking my future on, while the keepers get a professional to make sure that I'll get that record deal. I would highly recommend, however, to record your songs at home as a prequel, if you will, to the studio. The benefits are knowing how your song will take to tape on a basic level, as well as seeing any weaknesses in your arrangements. It is a great scratch pad, and then, when you get into the studio, you'll have a great head start.
I hope everyone thrills to this wonderful world of songwriting, and whether your goal is simply to give CDs to your friends and family or to be a megastar (hope we make it), you'll use home studio technology to stimulate creativity, improve your craft and career and have a blast. Happy tunes!
Seth Lutnick is a singer/songwriter/actor who has recorded two albums of original music, as well as appearing on TV, film, stage and radio. His website shares ideas, tutorials and product links on the art of music recording, as well as other areas of life. Visit www.getitdone.biz/Music/ for great ideas on home and studio recording.

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1 Comments:

Anonymous Anonymous said...

Great post Micheal. I enjoyed it. Oddly enough I have asked myself the same question of "is it a good thing to have this kind of tech available to the masses?". I probably wondered this based upon my perception of the class associated between musician and recording artist. To me, recognizing a player as a recording artist added a touch of star quality even in the absence of fame. With "recording warez" becoming so accessible and PC/audio hardware selling for less than sex, I originally seen this as crashing the floodgates of music hell.

Today, I certainly see things differently. After hearing some amazing tracks done by folks who years ago would have never had the chance to express their artistry. I am very pleased with the expansion new tech has provided. I believe it has catapulted us all into a far more interesting and exciting musical realm. That, and it's just downright fun to play with all those GUI faders!

My only regret is how sophisticated sequencing programs has become as of late. Specifically the new sample libraries and how well they are integrated into the applications using them. Drums programs are becoming too real. It's difficult to differentiate between human and automation. Even orchestral instruments are captured to such degree that a majority of people find it hard to discern between the two. As a creation tool, it's stunning, but it's being overused in production instances, so this is where it becomes a problem for me. I want to know what I am hearing is a person(s) playing with real talent and emotions...not Robie the robot calculating a sequence of velocities, tempo and time signatures. Music is perfect when it is imperfect.

Anyway mate, those are my bits.

Have a great day!

6:02 AM

 

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