Audley Music - dedicated to promotion and exposure of unsigned bands and artists. New music is heard, reviewed, sold direct online, and discussed in fair forum. Advice on how to self-publish, produce, and market is available to all.

Sunday, December 30, 2007

See what the BBC is saying about Yuwie

http://news.bbc.co.uk/2/hi/technology/7153637.stm
Then come back here to get your piece of the action
Yuwie is the fastest growing social interaction site because they share the advertising revenue with their members.Hang out, make friends, get paid!Ok, it may take yopu 6 months to get there, it did with me!
Link this with the chance to network over 360,000 like-minded people to your busines opportunities and it is mind-boggling! ALL FREE!Listen to the short video
http://r.yuwie.com/noot54

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Thursday, April 05, 2007

AXIS Festival- Love Music Hate Racism

The marvellous Andy Gower will be supporting the incredible Get Cape Wear Cape Fly at the Victoria Hall, Stoke-on-Trent on Friday May 4th 2007.

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Monday, December 04, 2006

Richard Ashcroft at the NIA, Birmingham


Richard Ashcroft, one-time lead singer with the Verve, and now a stupendous solo artist, played to a packed house at the NIA, Birmingham, on Sunday 3rd December 2006.

All the masterpieces were there, including 'The Drugs Don't Work' and 'Music is the Power'.

He was ably supported by Australian songsmith Pete Murray

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Monday, November 20, 2006

Tips on Home Recording

To Record or Not To Record - At Home, That Is
by Seth Lutnick
I will be honest. I am addicted to music recording. I love moving faders, adjusting levels, panning, reverberating, sequencing, you name it. I especially love all that software, and the colorful ways that they show the music as a waveform. It is just cool.
And I'm not the only one. My cousin has just become hooked as well, and all around the globe many many songwriters are falling prey to the "Call of the Cubase." After all, what once upon a time could break the bank, is now easily accessible on our desktops. Every songwriter can record his songs for a pittance. So is this a good thing? And should we all be doing it?
On the surface, it's a no-brainer. Well, why not record? It stimulates creativity. It liberates more music from the brains of its creators. It puts more pleasure into the world. And yet, there is a downside or two to consider when you plan to record your stuff, at least at home.
Natural selection was Darwin's theory, and it applies equally to music as well. I'll be honest, I'm not the greatest songwriter. I tend to write stuff that is too long, overly cliched, and requiring the vocal range of Luciano Pavarotti mixed with Paul Robeson. Every so often, though, almost despite my best efforts, I'll crank out a beaut. When that happens, it deserves immediate posteritizing (recording for posterity), but, alas, there is a long line of "I-really-shouldn't-record-this-but-why-not-it's-cheap-to-do-it" material in front of it. Each of those will take a good week of work to arrange, record, overdub, mix, master, remix, remaster and burn. Add to that two days of regret after I've listened to the atrocious thing, you have 9 days. If I had to pay for a studio, I'd only have gone with the winner, and thos eother songs would have thankfully remained mere twinkles in my eye.
That's the first thing to consider. It's not for the betterment of the world to record everything just because you can. With the advent of the home studio, the natural selection process disappeared, and people don't have the same pressure to let their material grow, become refined, and be sure that they are going for the gold before they start laying down tracks. Always ask yourself if you can do better before you start. Don't let the technology cripple creativity with its instant allure.
Now let's say you really have an ace song on your hands. No reason not to record this, you're saying, and you're right. But. Is doing it at home the way to go? The answer is a resounding ... depends. Depends on what gear you have, sure. But even more, it depends on what you are capable of doing with that gear. If the ease with which one can record at home has limited creative quality, it may do the same to sonic quality when the creativity has been truly remarkable. I love those gadgets, but I will admit that I can never seem to get the sound I hear in my head when I write those songs. If I were properly trained, I'm sure I'd have a different take, but I'm not, and how many of us are?
So my compromise has been to have all the fun in the world with the songs I'm not staking my future on, while the keepers get a professional to make sure that I'll get that record deal. I would highly recommend, however, to record your songs at home as a prequel, if you will, to the studio. The benefits are knowing how your song will take to tape on a basic level, as well as seeing any weaknesses in your arrangements. It is a great scratch pad, and then, when you get into the studio, you'll have a great head start.
I hope everyone thrills to this wonderful world of songwriting, and whether your goal is simply to give CDs to your friends and family or to be a megastar (hope we make it), you'll use home studio technology to stimulate creativity, improve your craft and career and have a blast. Happy tunes!
Seth Lutnick is a singer/songwriter/actor who has recorded two albums of original music, as well as appearing on TV, film, stage and radio. His website shares ideas, tutorials and product links on the art of music recording, as well as other areas of life. Visit www.getitdone.biz/Music/ for great ideas on home and studio recording.

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Andy Gower


I'd like you to listen to a very talented artist called Andy Gower, who is from Stoke-on-Trent. Most of the time it's just Andy and his guitar so get on down and have a listen.
You can do that at Andy's MySpace Page
I would be pleased to receive comments back on the tracks available there.

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